Salli Lunn
Salli Lunn
Christian Blæhr:
1. Scott Solter – One River
This is actually a digital re-release of a 2006 album but I didn’t pick up on it before our label Hidden Shoal decided to put it out again. One River consists of seven ambient tracks merging into an effortless stream of lush, heavy processed guitars not unlike Stars of the Lid while Brian Eno’s harmonic approach is (evoked) drenched in there too. Solters technical skills and sense of texture shines through and gives the music such an almost physical warmth and depth, that you feel you can reach out and let it pass gently through your fingers.
2. Cut Hands – Afro Noise I
I haven’t had a long-term relationship with UK power electronics-pioneers Whitehouse, which is also why I coincidentally stumbled upon core-member William Bennett’s solo-act Cut Hands. With Bennett coming from such an extreme background, I find it incredibly interesting for him to incorporate African percussion and drums into these sinister, atonal and skillfully composed soundscapes. ‘Afro Noise I’ is a tour de force into a detailed fusion of layered, rhythmic patterns and alarmingly brooding but still subtle textures.
Jan Nissen:
1. King’s Daugthers & Sons – If Then Not When
It was almost obvious that this would be my favourite album of the year… With musicians from The For Carnation, Shippping News and Rachels I knew the airy sound and moods would feel like coming home. But the album also adds something new and exiting.
2. Beatsteaks – Boombox
I like their mix of Punk and Ska. Simple music and a sympathic band… Also the best live band for me this year. In Germany they play stadium concerts but in Denmark they play at small clubs, so it gets very intense.
Lasse Skjold Bertelsen:
1. Tim Hecker – Ravedeath, 1972 (Kranky)
In my opinion one of the most consistent ambient artists with an impressive discography investigating beauty yet again in contrasts and black/white imagery. Somewhat haunting and horrifying soundscapes based in both minimalism and modern composition which enthralls the listener in an anxious state of mind. I heard of Hecker years ago and I have enjoyed some of his earlier works but for me it seems the essence of Hecker’s project was unveiled as a precious secret with this record.
2. Barn Owl – Lost in the Glare (Thrill Jockey)
This duo consisting of Evan Caminiti and Jon Porras from San Francisco has been a favourite of mine from the moment I got aquainted with their drones and guitar arpeggios. Their records from 2010 and 2011 have been in my top five list both years and the band never seems to disappoint. Lost in the Glare is a melting pot of different styles with a focus on a Fender Telecaster sound resulting in psychedelic moods and references to german krautrock. A transcendental listening experience which does not take any prisoners.
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