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Reviews

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White Arrows – In Bardo

Taking a wider range of influences than some of their contemporaries, are White Arrows the band to give Electro Pop the makeover it probably needs?

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Various Artists - 5 Years of Bedroom Suck Records

Various Artists – 5 Years Of Bedroom Suck Records

The steadily-growing Australia underground label celebrates its first-half decade with a broad and revealing 27-track compilation.

Western Education - Let Your Secrets Out

Western Education – Let Your Secrets Out

A strong debut of synth-driven, anthemic rock out of Massachusetts.

Steve Kilbey & Martin Kennedy - Songs from the Real World Vol 2 (Commissioned Songs)

Steve Kilbey & Martin Kennedy – Songs from the Real World Vol 2 (Commissioned Songs)

Steve Kilbey (of The Church) and Martin Kennedy (of All India Radio) team up for another warm and enjoyable batch of commissioned songs.

Duke Ellington And His Orchestra’s - Festival Session (Oliver Cherer's original family copy)

Artists On Albums: AOA#42 (Oliver Cherer on Festival Session)

Oliver Cherer (Dollboy, Silver Servants, et al.) honours the ear-opening impact and influence of Duke Ellington’s 1959 jazz opus.

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Interviews

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Interview with Pompeii

Members of the Austin, Texas post-rock quartet drop details about upcoming album LOOM, touring, and their decade as a band.

Features

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Dangerous Muse – “Fame Kills” video

Mike Furey unleashes a killer dance-pop song with a video comprised of eye-catching images and ideas.

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Interview With Laurent Leemans

A couple of months ago I reviewed ‘Driftwood’, the very well crafted and intricately performed 4th album release of The Imaginary Suitcase, the musical pseudonym of Belgian guitarist Laurent Leemans. With a career in music that now goes back almost 25 years, Leemans has much of interest to say about why and when he began […]

No Slam Dancing, No Stage Diving, No Spikes: An Oral History of the Legendary City Gardens

Book: No Slam Dancing, No Stage Diving, No Spikes: An Oral History of the Legendary City Gardens

Amy Yates Wuelfing’s and Steve DiLodovico’s book on the famed indie music club (1980s to mid-1990s) is a compelling and compulsive read.

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